By Martha P. Nochimson
- Brings jointly the main leading edge, in-depth, and fascinating scholarship on arguably the best dwelling Asian filmmaker, from a multinational staff of validated and emerging movie students and critics
- Covers an enormous breadth of subject matters corresponding to the culture of the jianghu in Wong's motion pictures; queering Wong's movies no longer when it comes to gender yet during the artist's liminality; the phenomenological Wong; Wong's intertextuality; the US via Wong's eyes; the optics of intensities, thresholds, and transfers of power in Wong's cinema; and the diasporic presence of a few women from Shanghai in Wong's Hong Kong
- Examines the political, ancient, and sociological effect of Wong and his paintings, and discusses his paintings from quite a few views together with sleek, post-modern, postcolonial, and queer theory
- Includes appendices which learn Wong’s paintings in Hong Kong tv and commercials
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